Dr Mark Allen Peterson contrasts the Egyptian mediascape in 2011 with its Iranian counterpart in 1979 and concludes that, unlike Iran, Egypt is unlikely to revert to a pre-revolutionary status quo which included state domination of the media.

Courtney C. Radsch discusses the interplay between the economic benefits of good communications, the willingness of Arab regimes to close down the Internet and mobile phone networks when they think their survival is at stake, and the role of multinational companies in the region.

Dr Sahar Khamis and Katherine Vaughn give a comprehensive overview of the role of new media in the overthrow of Mubarak and wonders whether the same tools will enable activists to keep up the pressure for change during what could a lengthy transitional period.

Omar Foda looks at the video hagiographies of three Coptic saints and finds that this little-studied genre draws heavily on the tropes of the Egyptian musalsal, including very colloquial Arabic language and exclusive use of melodrama in the presentation of emotions

Courtney C. Radsch argues on the basis of the Kareem Amer case that although cyberactivists and rights organizations are capable of sustained campaigns in defense of freedom of expression, some governments at least are almost impervious to the pressure, even at the cost of significant damage to their international image.

Heba Elsayed argues that young members of Cairo's lower middle classes, because of their ability to negotiate for themselves a heterogeneous cosmopolitanism dependent upon local repertoires yet also drawing on global discourses, are more deserving of the cosmopolitan label than their upper-class counterparts.

Dr Sahar Khamis goes back to Kafr Masoud in the Nile Delta after ten years and notes the effects of exposure to satellite television channels, the Internet and mobile phones, with particular attention to how they have changed the lives and perceptions of rural women.

Stephen Marmura tries to explain the persistence of mistaken beliefs about 9/11 and about the rationale for invading Iraq among the US and Egyptian publics, concluding that memories and long-term discourses sometimes outweigh short-term media effects.

Maurice Chammah analyzes the thinking behind the Islam-oriented music television channel 4Shbab, noting contradictions in its vision of the interaction between Islam and the West. He looks at the audience which 4Shbab assumes already exists and the audience which it hopes to create, and discusses Western media reactions to the project.

Yasmin Moll writes on visual aspects of the phenomenon of Islamic televangelism, arguing that: “a consideration of contemporary media practices in Islam invites us to expand our definition of what the visual might be and what acts of seeing might entail.”