Issue 35, winter/spring 2023 https://doi.org/10.70090/AG23DECP In our information-driven society, individuals increasingly consume news instantly via online platforms, including news websites, social media, blogs, and forums. In particular, social media platforms have become fertile ground for the proliferation of fake news, where false information is produced and widely disseminated, often from …

First Edition - Edited By Noureddine Miladi, Noha Mellor (Routledge, 2020) The Routledge Handbook on Arab Media is an encyclopedic depiction of the history, roles, models of ownership, and regulations of print, broadcast, and online media in 20 Arab countries out of the 22 Arab countries represented in the Arab …

Issue 24, summer/fall 2017 https://doi.org/10.70090/ZAN17DBP Abstract Since its foundation in 1996 until the Arab Spring uprisings in 2011, the Qatar-based and funded channel, Al-Jazeera, was considered by many media and politics scholars as a major element of a “pan-Arab public diplomacy” and even a “virtual state.” The main reasons behind …

Issue 24, summer/fall 2017 https://doi.org/10.70090/GLDK17AS Abstract This article returns to 2011 and the beginning of the Arab Spring in order to ask how the Israeli middle class came to draw similarities between their conditions and those of the Arab citizens who had risen against authoritarian rule. This question is also …

Issue 24, summer/fall 2017 https://doi.org/10.70090/EM17TPNB Abstract Since the Arab uprisings began in 2010, some communities have experienced increased levels of violence or insecurity on the basis of their ethnic, religious, or linguistic identity. This article examines how such communities have mobilized and developed their media strategies in order to protect themselves …

Issue 23, winter/spring 2017 https://doi.org/10.70090/MMK17BEC In the wake of the Arab uprisings, journalists, activists, and scholars coupled creative with revolution (or dissent, protest, resistance) to describe political graffiti, rap, art, and video. Distinguished institutions, from the Prince Claus Fund of the Netherlands to the Arab American National Museum in Dearborn, …

Issue 23, winter/spring 2017 https://doi.org/10.70090/AFH17FRI Anna Rousillion’s feature documentary I Am the People follows Farraj and his family through four tumultuous years in Egyptian history, beginning just before revolution and chronicling their lives in its aftermath. Farraj, the film’s protagonist, is a wiry farmer in the southern province of Luxor, …

Issue 23, winter/spring 2017 https://doi.org/10.70090/MMK17POP Read an excerpt of Marwan Kraidy's latest book The Naked Blogger of Cairo here. On Tuesday, December 6, 2016, a strange sight appeared on Rabin Square in Tel Aviv. Close to city hall, passersby saw a four-meter high gilded statue of Prime Minister Benjamin Netanyahu, in …

Issue 23, winter/spring 2017 https://doi.org/10.70090/DI17BD25 Abstract This case study highlights an experiment that aimed to disrupt traditional television news production and presentation models in post-revolution Egypt. It is a snapshot of a brief moment in Egyptian television history when an attempt was made at innovating news production and content, but …

Enduring Commitment Syrian drama has oscillated between accommodating and challenging persistent authoritarianism, the Islamic tendency, and the neoliberal moment. In addition to sensational thrillers and costume dramas, Syrians continue to produce works that harken back to an earlier era of Arab cultural production. Realist dramas join sociopolitical satires in critiquing …