Issue 24, summer/fall 2017 https://doi.org/10.70090/GLDK17AS Abstract This article returns to 2011 and the beginning of the Arab Spring in order to ask how the Israeli middle class came to draw similarities between their conditions and those of the Arab citizens who had risen against authoritarian rule. This question is also …

Issue 24, summer/fall 2017 https://doi.org/10.70090/FAI17TAF Tensions between Qatar and the rest of the Gulf Cooperation Council and other Arab countries resurfaced with a vengeance in May 2017. The latest escalation came in response to statements allegedly made by Emir Sheikh Tamim bin Hamad Al Thani in support of Iran as …

Issue 24, summer/fall 2017 https://doi.org/10.70090/EM17TPNB Abstract Since the Arab uprisings began in 2010, some communities have experienced increased levels of violence or insecurity on the basis of their ethnic, religious, or linguistic identity. This article examines how such communities have mobilized and developed their media strategies in order to protect themselves …

DMC TV network started broadcasting its long list of television programs and series in Egypt on January 14, establishing itself as a major player in the Arab media landscape. So far, little information has been made available clarifying leadership structure and budget, however based on the quality and diversity of programming, …

Issue 23, winter/spring 2017 https://doi.org/10.70090/MMK17BEC In the wake of the Arab uprisings, journalists, activists, and scholars coupled creative with revolution (or dissent, protest, resistance) to describe political graffiti, rap, art, and video. Distinguished institutions, from the Prince Claus Fund of the Netherlands to the Arab American National Museum in Dearborn, …

Issue 23, winter/spring 2017 https://doi.org/10.70090/AFH17FRI Anna Rousillion’s feature documentary I Am the People follows Farraj and his family through four tumultuous years in Egyptian history, beginning just before revolution and chronicling their lives in its aftermath. Farraj, the film’s protagonist, is a wiry farmer in the southern province of Luxor, …

Issue 23, winter/spring 2017 https://doi.org/10.70090/CEK17SCF This essay is part of an ethnographic study of Egyptian film production conducted between August 2013 and September 2015. The study is centered on participant observation within two main film companies, New Century Film Production and Al-Batrik Art Production, in addition to interviews conducted with …

Issue 23, winter/spring 2017 https://doi.org/10.70090/HA17PCME On November 21, 2016, the Middle East Centre of St Antony’s College, Oxford hosted the roundtable and launch of Public Culture and Islam in Modern Egypt: Media, Intellectuals and Society (London: I.B.Tauris, 2016) with myself and Morgan Clarke (Institute of Social and Cultural Anthropology, Oxford) …

Issue 23, winter/spring 2017 https://doi.org/10.70090/DI17BD25 Abstract This case study highlights an experiment that aimed to disrupt traditional television news production and presentation models in post-revolution Egypt. It is a snapshot of a brief moment in Egyptian television history when an attempt was made at innovating news production and content, but …