Sahar Khamis, Paul B. Gold and Katherine Vaughn compare and contrast the role of social media in the Egyptian and Syrian uprisings, providing a comprehensive review of the tactics used by both activists and regimes. The ability of new technologies to effect political change, they argue, is determined by pre-existing social, political and communication structures.

Mark LeVine calls this volume, edited by Karin van Nieuwkerk, a tour de force of cultural analysis of the blossoming production of religiously oriented art, music, and theater in the Muslim world. The book, he writes, will "further the interdisciplinary development of Islamic studies, cultural studies, ethnomusicology and even, it is hoped, the usually drier disciplines such as political science or sociology, both of which could certainly use a bit more rhythm and color in their methodological repertoires in the wake of the region-wide protests and revolutions in which culture has played a powerful and as yet poorly understood role."

El Mustapha Lahlali examines the ideological function of lexical repetition in two political speeches of Hizbollah leader Hassan Nasrallah, illustrating the ways that Nasrallah employs this rhetorical device to further his ideological agenda and political strategies.

Robert Hassan argues that high-speed social networking technology disrupts the traditional rhythms of liberal democracy which, since the Enlightenment, have been based on the slower processes of print-based culture. Digital technology, he maintains, has propelled mass political action in the Arab world, but has left in its wake a political vacuum, with democratic processes struggling to catch up.

Mahmoud R. Al-Sadi analyzes the “anti-establishment” discourse of Al Jazeera host Faisal al-Qasim, revealing a complex rhetorical style that deflects Arab radicalism, nudges viewers towards the pragmatism of Qatar’s foreign policy, and thus serves to reinvent Arab autocracy.

Muslim Brotherhood spokesman Mahmoud Ghozlan calls for a society-wide dialogue to discuss the reform of both state and privately owned media, including a ban on individuals owning more than 10 percent of a media outlet.

Nadav Samin looks at the uprising in Egypt from the perspective of Saudi Arabia where an online attempt to initiate nationwide protest in March 2011 met with disinterest from a sector of the digital community. An assessment of social media’s role in the regional uprisings, he argues, must not overlook its ability to reinforce and amplify conservativism in some contexts.

In a piece of literary reportage, Maurice Chammah explores media coverage of the violence at Egypt’s state-television headquarters on October 9, 2011, illustrating the growing gap between state-owned and independent media and raising concerns about the blurring line between independent journalists and activists in post-revolution Egypt.

Anne Hagood looks at the political narratives adopted by Iraqi Shi'ites sympathetic to the cause of their fellow Shi'ites in Bahrain and specifically at the parallels Iraqis have drawn between the conflict in Bahrain and their own conflict against the Baathist regime overthrown in 2003.

Dr Lara N. Dotson-Renta examines the activities of cross-cultural hip-hoppers and rappers inspired by the Arab uprisings and how they have strengthened the ties between diaspora Arabs and those who continue to live in the region.