El Mustapha Lahlali takes a close look at the rhetorical devices by which both Ben Ali and Mubarak tried to retain power when they addressed their nations at critical junctures during the Tunisian and Egyptian uprisings.

Alice Hlidkova reports on the state of the media in Iraqi Kurdistan, where the reality does not always live up to the ideals promulgated by those who run the autonomous region.

Courtney C. Radsch discusses the interplay between the economic benefits of good communications, the willingness of Arab regimes to close down the Internet and mobile phone networks when they think their survival is at stake, and the role of multinational companies in the region.

Michael Oghia and Helen Indelicato research Internet ownership in key Arab countries, noting the differences in the extent of state control and in the levels of private and foreign investment in the infrastructure.

William Youmans analyzes the debate in Burlington, Vermont, over whether the local cable TV company should or should not carry Al Jazeera English. He concludes that Burlington was a special case, rather than the harbinger of a breakthrough into the US market for AJE.

Dr Sahar Khamis and Katherine Vaughn give a comprehensive overview of the role of new media in the overthrow of Mubarak and wonders whether the same tools will enable activists to keep up the pressure for change during what could a lengthy transitional period.

Al Jazeera English is campaigning for greater access to the US market, building on positive publicity about its coverage of the Egyptian revolution. But research by William Youmans and Katie Brown suggests that substantial prejudice against AJE persists among segments of the American public, even after they are exposed to its coverage.

Rami Khater sees the first signs that the United States and its allies might use their dominance of the Internet as a weapon against their enemies in the Middle East and argues that countries in the region would do well to develop indigenous Internet platforms.

Leah Caldwell examines Western coverage of the Syrian music and art scene, focusing on the case of dabke musician Omar Souleyman, and says some of the coverage perpetuates the idea that without a Western seal of authenticity on a particular art form, its cultural value is significantly diminished.

Heba Elsayed argues that young members of Cairo's lower middle classes, because of their ability to negotiate for themselves a heterogeneous cosmopolitanism dependent upon local repertoires yet also drawing on global discourses, are more deserving of the cosmopolitan label than their upper-class counterparts.